| Film Festivals + Awards | |||
|---|---|---|---|
| Ama of Ta’li | 2019 | Orlando Film Festival | Official Selection |
| Ama of Ta’li | 2019 | Central Florida Film Festival | Official Selection |
| Ama of Ta’li | 2019 | Dragon Con Short Film Festival | Official Selection |
| Ama of Ta’li | 2019 | Silver Screen Film Festival | Official Selection |
| Ama of Ta’li | 2019 | Southeast Regional Film Festival | Winner – Best Original Short Film |
| Ama of Ta’li | 2019 | Southeast Regional Film Festival | Winner – Best Writing |
| Ama of Ta’li | 2019 | Olympus Film Festival Los Angeles | Winner – Best Writing |
| Ama of Ta’li | 2019 | Enzian Film Slam | Official Selection |
| Treasure | 2017 | The Indie Gathering International Film Festival | Winnner – 2nd Place Drama |
| Treasure | 2017 | Central Florida Film Festival | Winner – Best Florida Project |
| Treasure | 2017 | Seattle Transmedia & Independent Film Festival | Official Selection |
| Treasure | 2017 | Los Angeles CineFest | Semi-Finalist |
| Treasure | 2017 | Sunlight International Film Festival | Official Selection |
| Treasure | 2017 | Miami Independent Film Festival | Official Selection |
| Treasure | 2017 | Caribbean Film Festival & Market | Semi-Finalist |
| Treasure | 2017 | Orlando Edge Film Festival | Official Selection |
| Treasure | 2017 | Los Angeles CineFest | Official Selection |
| Broken | 2017 | Bucharest ShortCut CineFest | Official Selection |
| Change for Good | 2017 | Global Peace Film Festival | Official Selection |
| The Last Informant | 2017 | Genre Celebration Festival | Official Selection |
| Susie’s Beast | 2017 | FROSTBITE International Indie Fest | Finalist |
| Susie’s Beast | 2017 | Fake Flesh Film Fest | Official Selection |
| Susie’s Beast | 2017 | Florida Horror Film Festival | Official Selection |
| Susie’s Beast | 2018 | HorrorHound Weekend Film Festival | Official Selection |
| Susie’s Beast | 2017 | Enzian FilmSlam | Winner – 2nd Place |
| Susie’s Beast | 2018 | Boynton Beach Short Film Festival | Official Selection |
| Experience | |||
|---|---|---|---|
| 2018 | Treasure | Feature-Length Film | Writer/Director |
| 2016 | Arangetram | Live Event | Camera Operator |
| 2016 | Broken | Short Film | Director |
| 2016 | King Charles | Feature-Length Film | Grip |
| 2016 | Seeing Evil | Feature-Length Film | Grip |
| 2015 | The Laughing Mask | Feature-Length Film | Additional Cinematography |
| 2015 | The Happiest Place on Earth | Feature-Length Film | Sound Re-recording Mixer |
| 2015 | Neil | Short Film | Camera Operator/Editor |
| 2015 | Al Mauro (VEVO) | Music Video | Director |
| 2015 | The Actor’s Showcase | Short Documentary | Director |
| 2015 | A Mother Torn | Short Film | Director |
| 2015 | Coffee To Go | Short Film | Actor |
| 2014 | Space Coast Geocaching Store | Promotional Web Video | Director |
| 2014 | United States Systems, Inc. | Promotional Web Video | Editor |
| 2014 | Inspiring Ingenuity Conference | Event | Camera Operator |
| 2014 | Site Solutions Summit | Event | Camera Operator |
| 2014 | Can’t Take It No More | Feature-Length Documentary | Camera Operator |
| 2014 | Between Lives | Feature-Length Film | Camera Operator |
| 2013 | Scandalous | Short Film | Director |
| 2013 | Fading Dots | Short Film | Editor |
| 2012 | The Crazy Road to Love | Feature-Length Film | 1st AC |
| 2012 | X Factor (FOX) | Television | Camera Operator |
| 2012 | Cheryl Comes Back | Short Film | Director |
| 2012 | The Assassin and the Call Girl | Short Film | Director |
| 2012 | KU Med Center Web Video | Web Video | Director |
| 2012 | Lotus Creative Innovations | Promotional Video | Editor |
| 2012 | Lotus Creative Innovations | Training Video | Director |
| 2012 | Martin Logan | Promotional Web Series | 1st AC |
| 2012 | Children’s Mercy Hospital | Donor Gala Video | Director |
| 2011 | CinemaKC Season 2 | Television | 2nd AC |
| 2011 | KU Med School | Training Video | Director |
| 2011 | Children’s Mercy Hospital | Donor Gala Video | Director |
| 2011 | Trashland | Short Film | Production Assistant |
| 2010 | Mics on Fire | Feature-Length Documentary | Director |
| 2010 | The Beekeeper | Short Documentary | Director |
| 2010 | Between the Two of Us | Short Film | Director |
| 2010 | Prom King (MTV) | Television | Camera Operator |
| 2010 | KU MED: Robotic Surgury | Educational | Camera Operator/Editor |
| 2010 | KU MED: Transnasal Esaphogoscopy | Educational | Camera Operator/Editor |
| 2010 | KU MED: Stroboscopy | Educational | Camera Operator/Editor |
| 2010 | US Youth Soccer National Championships | Event | Camera Operator |
| 2010 | UMKC United Nations Conference | Event | Camera Operator |
| 2009 | Racing Heart | Feature-Length Documentary | Director |
| 2009 | Let Freedom Ring: Memories of France | Feature-Length Documentary | Editor |
| 2009 | Dubbin Racing | Promotional Video | Director |
| 2008 | American Music: Off the Record | Feature-Length Documentary | Camera Operator |
| 2008 | Gone Country (CMT) | Television | Camera Operator |
| 2008 | Untitled HBO Pilot | Television | Camera Operator |
| 2008 | YellowPages.com | Promotional Video | Director |
| 2007 | Eterno | Experimental | Director |
| 2007 | It’s Okay to be Different | Short Documentary | Camera Operator/Editor |
| 2007 | Boxcar of Blues | Feature-Length Concert DVD | Editor |
| 2006 | Cowtown Riff | Short Documentary | Editor |
| Education | |||
|---|---|---|---|
| Master of Fine Arts | 2015 | Film Production | University of Central Florida |
| Bachelor of Arts | 2011 | Communication Studies: Film and Media Arts | University of Missouri – Kansas City |
| Undergraduate and Post-Graduate Coursework | |||
|---|---|---|---|
| Photography | Photoshop | Directing | Film Editing |
| Documentary Production | Screenwriting I | Screenwriting II | Developing the Film Screenplay |
| Entrepreneurial Film Business | Micro-budget Production Management | Page Layout and Design | Advanded Directing for Film and Digital Media |
| Film Marketing | Film Distribution | Micro-budget Pre-production | Screenplay Refinement |
| Domestic and International Modes of Distribution | Guerilla Marketing | Theories of Film Production | Film Production |
| Additional Professional Training |
|---|
| The Meisner Master Acting Program – Truthful Acting Studios |
| Introduction to Music Production – Coursera |
| The Master Course in High-End Blocking and Staging – Hollywood Camera Work |
| Visual Effects for Directors – Hollywood Camera Work |
| Training Certificates |
|---|
| Narrative Scene Editing with Premiere Pro |
| Photoshop CC Essential Training |
| Location Audio Recording |
| Premiere Pro Guru: Organizing Assets |
| Premiere Pro Guru: Dynamic Link and the Adobe Workflow |
| Mixing a Short Film with Audition |
| Night and Low Light Photography |
| Introduction to Color Correction |
| Teaching Experience – The Los Angeles Film School | |
|---|---|
| March 2018 | DFM421 Documentary Postproduction |
| March 2018 | DFM420 Documentary Production |
| March 2018 | DFM101 Industry Overview for Digital Filmmakers |
| February 2018 | DFM480 Advanced Digital Filmmaking |
| February 2018 | DFM421 Documentary Post-Production |
| February 2018 | DFM260 Introduction to Editing |
| January 2018 | DFM420 Documentary Production |
| January 2018 | DFM260 Introduction to Editing |
| December 2017 | DFM120 Digital Image Making |
| December 2017 | DFM421 Documentary Post-Production |
| November 2017 | DFM120 Digital Image Making |
| November 2017 | DFM421 Documentary Post-Production |
| October 2017 | DFM485 Advanced Post-Production |
| October 2017 | DFM421 Documentary Post-Production |
| October 2017 | DFM420 Documentary Production |
| September 2017 | DFM380 Postproduction and Story Development |
| September 2017 | DFM420 Documentary Production |
| September 2017 | DFM101 Industry Overview for Digital Filmmakers |
| August 2017 | DFM421 Documentary Post-Production |
| August 2017 | DFM420 Documentary Production |
| August 2017 | DFM480 Advanced Post-Production |
| July 2017 | DFM420 Documentary Production |
| July 2017 | DFM120 Digital Image Making |
| July 2017 | DFM260 Introduction to Editing |
| June 2017 | DFM120 Digital Image Making |
| June 2017 | DFM421 Documentary Post-Production |
| May 2017 | DFM120 Digital Image Making |
| May 2017 | DFM420 Documentary Production |
| May 2017 | DFM260 Introduction to Editing |
| April 2017 | DFM421 Documentary Post-Production |
| April 2017 | DFM420 Documentary Production |
| April 2017 | DFM260 Introduction to Editing |
| March 2017 | DFM420 Documentary Production |
| March 2017 | DFM120 Digital Image Making |
| March 2017 | DFM260 Introduction to Editing |
| February 2017 | DFM120 Digital Image Making |
| February 2017 | DFM260 Introduction to Editing |
| January 2017 | DFM420 Documentary Production |
| January 2017 | DFM260 Introduction to Editing |
| December 2016 | DFM420 Documentary Production |
| December 2016 | DFM201 Digital Film Lighting II |
| December 2016 | DFM260 Introduction to Editing |
| November 2016 | DFM420 Documentary Production |
| November 2016 | DFM201 Digital Film Lighting II |
| November 2016 | DFM101 Industry Overview for Digital Filmmakers |
| November 2016 | DFM260 Introduction to Editing |
| October 2016 | DFM201 Digital Film Lighting II |
| October 2016 | DFM101 Industry Overview for Digital Filmmakers |
| October 2016 | DFM260 Introduction to Editing |
| September 2016 | DFM420 Documentary Production |
| September 2016 | DFM201 Digital Film Lighting II |
| September 2016 | DFM260 Introduction to Editing |
| August 2016 | DFM200 Digital Film Lighting I |
| August 2016 | DFM420 Documentary Production |
| August 2016 | DFM260 Introduction to Editing |
| July 2016 | DFM420 Documentary Production |
| July 2016 | DFM260 Introduction to Editing |
| June 2016 | DFM260 Introduction to Editing |